Wrecord Out

How can you not like anyone who starts their verse off with the word “eschew?”

Looking forward to seeing the Pro Era kids at the Roots Picnic.

Nyck Caution:
Eschew your priorities
You Dorothy’s never going home, blowing O’s, holding grips
I’m the shit, swank is on the overload
Rocking like a rolling stone, rolling stoned, racing through the Poconos
Hallelujah, amen to you churchy women
I’m on my urban livin’, smoking herb, and servi’n with it
Who thought, spiting rhymes would get me noticed
But its, 2pac was the one that showed me focus
And I never said that I could change the world myself
But if united as possible, then we can flip an obstacle
Hand gestures, gangland ventures
Drowning in this slick, I hope you can stand pressure
High blood in the cut, 47 floors up
Engine is a buck, hope you revving yours
I’m important, I’m omnipotent, God,
Wizard of Oz just living in charge, it’s like…

CJ Fly:
It’s the Pro Era movement, name a chick who ain’t with it
The biggest biggest biggin’ up the illest by just listening
I’m lane switching, while my main bitch tripping
Y’all ain’t seeing me, cause I just got this tint
Emails get filled up, the egos get bigger
Hotels wanna bill us but we blame it on the dealer
For filling our rooms with the fumes we consume
She, gon’ let me screw, then you know how I do
See Fly don’t take chicks from the nest or the coop
They’re feeling loose like they stepped in my shoes
Ain’t thinking nets and the hoops
Anytime I say I’m tempted to shoot
Put nothing, but hands on you, fools, like I’m just a masseuse
Soon as I step in the booth I be calling the shots
Getting nothing but visits like I harbored a dock
I’m unraveling knots like the man in the spot
This one for all my minors that be handling rock

Joey Bada$$:
I emerge with that, philosophical, sprouted in a tropical
Climates, y’all a bunch of primates who ain’t climbing
Beware of the rhyming, redesigning
Combining gorilla with lion, ain’t lying
You can’t define him, he’s a star aligning
And the shining has been past timing, so time in
I take this time out to write just how I feel
Let the pencil spill, no lyrical it gets critical
Y’all don’t deserve my shit, give y’all the pee pee
Bitches on my wee-wee can’t see me with 3D
On the same level as ET, why y’all make it so easy?
I’m just a snack rapper, getting greedy
I’d destroy your whole album with a EP
Like really? I don’t even a write, I do it freely
And don’t let the age fool you, cause you doodoo
I got your doll to do what I want like it’s voodoo

Off the Peep the aPROcalypse mixtape.

#ripsteez

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This Is Water

From David Foster Wallace‘s Kenyon College commencement speech in 2005.

While I can’t get into DFW’s work, and in the end he took his own life, this is worth the 9 minutes and 23 seconds of your life.

The world would be a better place if people watched and internalized this.

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Sugar Tongue Slim

These days, trying to find skilled rappers is like finding a needle in a haystack. And that haystack is made of shit. It is a pile so big and voluminous, that most of the time, I can’t even be bothered to wade through it. A few weeks ago I was invited out to a show at The Blockley.

goldrush

On the strength of the person inviting me, I went. I wasn’t familiar with most of those on the bill and was prepared for my usual rap show experience with dudes I don’t know, which is 5 minutes after being there, regretting my decision to go and hating the rap game. This show was different.

I won’t say it was the best show ever, but it was far from the worst. The standout for sure was the headliner, Sugar Tongue Slim.

DSC_0215a

I’m not going to do a show review, but thought he was good enough to look into more. When I looked into him more, listened to his latest mixtape, Gold Rush III, thought that not only should he be in the next issue of JUMP, but that he deserved to be.

I can’t really go in right now or here since I am doing a piece on him for JUMP, but STS is lyrically talented and knows how to flow.

The standout track to me off his new mixtape is Ray Lewis. If you are a fan of hip-hop, listen to the lyrics. He is nice.

So I’m not sure how much room in the magazine I will have for the piece, but I will almost certainly do two versions of the piece, a shorter one for print and a longer one for online. I will either post the longer version here, or post a link to it.

Thoughts?

Sugar Tongue Slim: Website / Twitter / Facebook / YouTube / Soundcloud

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Dirty Grifter

So I am trying to get better with my photo game. I have a long way to go. I can’t say I am a photographer any more than doing a somersault would make me a gymnast. But I do like taking pictures. And doing somersaults. But not at the same time.

Since I have no illusion that I am any good, and have some humility, coupled with the ability to not only laugh at myself, but also to invite others to  do the same, I figured I would let you in on the fun and see what I have shot. I added a link in the navigation to bring you to my tumblr, dirty grifter, for anyone who wants a looksie. I just added a bunch of new images, so I figured it would be a good idea to mention it here.

dirtygrifter

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JUMP- Spring 2013, the Non-Music issue

JUMPmagazinemarch2013cover

I have posted about this before, but one of the projects I am involved with is JUMP magazine.

We love Philly, pure and simple. And we love music. We’re tired of watching our local talent run off to New York or London to be appreciated.

We’re here to blow up the music scene and shed light on all the amazing things that are happening here.

In our quarterly print magazine, we cover Philly bands, venues, studios, history, bouncers, stylists, producers, clubs, boutiques, restaurants, deejays, music shops, record stores, labels, promoters, artists and anything else that has a connection to music in the city.

We document all genres, from hip-hop and indie rock to classical, folk, jam bands, reggae, electronic, jazz and hardcore. We report on everything from street performers to the Philadelphia Orchestra.

We are musicians, journalists, students, photographers, artists and Philadelphians.

We are not part of a massive corporation. We are music-lovers. We go to concerts, dance in illegal basement venues, party at clubs, hang with other music-lovers and listen to lots of music. We are all a part of the Philly music scene in some way or another.

We doing the damn thing.

The Feast, March 29, 2011, “JUMP Philly Launches With a Bang,” by Piers Marchant.

A.V. Club, March 21, 2011, “News Net,”  by Emily Guendelsberger and James Scott.

Philadelphia Daily News, March 21, 2011, “New music mag hits the streets,” by Dan Gross.

Phawker, March 11, 2011, “Start the presses: new Philly music glossy debuts,” by Jonathan Valania.

Newsworks (WHYY), March 3, 2011, “Magazines bow in print, online,” by Peter Crimmins.

City Paper, January 19, 2011, “Icepack,” by AD Amorosi.

Phawker, January 12, 2011, “Media: a new music magazine grows in the 215,” by Jonathan Valania.

Much like the magazine I helped start, it’s been a fun, exciting, frustrating, roller coaster of a ride. We recently made some internal changes, bringing on a few new people and giving them some additional editorial responsibilities. In addition to me being the managing editor of the magazine, we are also joined by editors Nikki Volpicelli and Beth Ann Downey. Spreading out the responsibilities and burden is really good news.

Additionally, we are getting huge help from graphic designer Kate Bodnar. (The situation we similar to my other mag where we stumbled across someone, Shaun Baron, who was also generous with his time and skills and gave the magazine a HUGE boost visually.)

So to sum up, we made some internal changes, as well as visual changes, and the new issue looks and reads beautifully.

The theme is the Non-Music issue, the idea being to find out about musicians and artists and their lives away from music. It came together pretty solidly. (Extra shout-out to Jess Flynn who shot Dan Yemin from Paint it Black.)

I put together a playlist for some of the people that are featured in the issue.

The issue features Joe Hardcore, Southwork, Yusuf Muhammad, Klint Kanopka, Dan Yemin, Chaka Fattah, Beau Monde, Steph Pockets, Mean Streets, Illvibe Collective, True Gold, DJ Grandpa, Jonathan Low, Kyle “Slick” Johnson, Roof Doctor, Gearing Up, Ryshon Jones, Belgrade, Jackie Paper, Rainbow Destroyer, DRGN King, John “Heyward” Howkins, Laurin Talese, Nigel Richards, Dream Oven, Goldilocks Gallery, Ben Woodward, Eat The Turnbuckle and more.

If you are in the Philadelphia area, the issue will be on the streets next week and you can find a list of our distro spots here.

The magazine definitely has potential. There is an abundance of music and talent in the city. We continue to build readership, as well as the all-important relationships with advertisers. We also have some pretty amazing stuff in the pipeline over the next year. Not just content-wise.

If you are in the city and know anyone who should be covered, story ideas, are interested in writing or shooting photos, hit me up.

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