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Who shot ya…

In class today, we were assigned to cover the die-in protest by Occupy Philadelphia and  Earth Quaker Action Team of PNC Bank for their financial support of companies that perform mountain top removal coal mining and natural gas hydrofracking.

I was assigned to follow the protest and take pics.

I’m not a photojournalist, but I did manage to capture this shot:

I am actually pretty proud.

I showed George and he said, “There’s a story in that picture, and that’s the biggest compliment I can make about a photo.”

To read the story, click here.

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Edit: per request:

 

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Narcocorridos

Narcocorridos are:

A Narcocorrido (Spanish pronunciation: [narkoko?riðo], Drug Ballad) is a type of Mexican music and song tradition which evolved out of the norteño folk corrido tradition. This type of music is heard on both sides of the US–Mexican border. It uses a danceable, accordion-based polka as a rhythmic base. The first corridos that focus on drug smugglers—the narco comes from “narcotics”—have been dated to the 1930s. Some say that early corridos go back as far to The Mexican Revolution of 1910. Other music critics have compared narcocorrido music to Gangster Rap.

Narcocorrido lyrics refer to particular events and include real dates and places. The lyrics tend to speak approvingly of illegal criminal activities such as murder, racketeering, extortion, drug smuggling, illegal immigration, and sometimes political protest due to government corruption.

NPR story on the Ballads of the Mexican Cartels.

I don’t think people on the east coast have any idea how epic and out of control this has gotten, both in Mexico and the United States. The LA Times has done an amazing and ongoing job of covering it.

There is a student journalist in Mexico blogging about the cartel wars at El Blog del Narco. Not only does it cover the war, but the cartels are often the ones providing him with the graphic content.
Things such as:

  •  A video of a man being decapitated. Media only reported police finding a beheaded body, but the video shows the man confessing to working for drug lord Edgar ‘La Barbie’ Valdez Villareal, who is involved in a war with rival cartels Beltran Leyva and Sinaloa.
  • The prison warden case, which was revealed in a video of masked members of the Zetas drug gang interrogating a police officer, who reveals that inmates allied with the Sinaloa cartel are given guns and cars and sent off to commit murders. At the end of the video the officer is shot dead.
  • Links to Facebook pages of alleged traffickers and their children, weapons, cars and lavish parties.

As opposed to being exploitative, the blog gives an actual, unedited perspective about what is taking place. It is phenomenal and scary.

And as deadly as this has all become, it makes the narcocorrido songs even more surreal and insane.

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Skool (Aka: Fuck Temple)

So getting back from France, one of things I needed to take care of was getting back in school. I was about a semester away from graduating from Temple with a Bachelor’s in Journalism. I had actually done things in reverse. I had decided to go back to school for journalism, after having my own successful, nationally distributed print magazine. It was on a more than a few occasions that I had more experience in the industry than my professors. A few were even decent enough to not let me show up for class, and use my experience and work for the magazine as class projects. (My one magazine partner smartly petitioned Temple to let our real world experience count as credits, but Temple being the money-hungry, all important dollar bill worshipers, denied the request. After all, they would lose out on tuition money if they used common sense…)

My experience at Temple has been that it is a colossal waste of time and money. It seems like the outside world views Temple with some respect and it holds some measure of stature, but as a student, which seems to be the case with many students, I am underwhelmed and under impressed. Classes are a joke, there’s a serious lack of actual writing for a journalism major, the material is often antiquated, (Really? We are going to learn newspaper style journalism? From a guy who worked in newspapers over a decade ago and made the jump to PR? He tried to make us learn math formulas he often didn’t know, would have done the problems wrong himself and when he scrambled to fix his errors had us watch YouTube videos of his kids. SMDH), professors horrible as teachers because it’s easy and cheaper to pay an adjunct who while be qualified in their field, is not capable of TEACHING, teaching lessons that from my experience are not relevant or useful in the industry, while not teaching the things that are practical and applicable… But I digress.

The sole redeemable asset to come out of my experience at Temple is having met George. He’s a rarity and giver and I am glad he was the prof of one of my first classes there. Of course he is under-appreciated and valued there and rather than become swallowed up by the political machinery, is forced to step back from things, rather than step up, because he has to sleep at night.

Again, I digress.

So upon my return from France I wanted to get the ball rolling with school. First problem was that now if you miss one semester of classes, you have to reapply to school. Next problem was that they changed the requirements for my major so in the new program I would need to take eight or nine classes to graduate. In the old program, only five. That took time to get grandfathered into the old program. Once that was done I could finally register for classes. Being at the end, there are less classes to choose from. I end up with four that work, but when I try to register for the mandatory PhiladelphiaNeighborhoods.com, it’s obviously full. It’s a mandatory class, and there’s only one section a semester. For 20 students. Brilliant. After emails back and forth to faculty I was put on a wait list. I figured I would fall back from my all out assault until I found out if I was in or out. I tried to politely be the squeaky wheel. The day I landed in New Mexico I checked my email and got the “We have a new section opening. Come in and register,” email. I’m on the other side of the country for 8 days and of all days and times, now they tell me to register. After more email exchanges with the people in the department I am told I will be able to register when I get back. Which after shuffling my current schedule, I am able to do. Now I have a doozy class schedule for the fall. 5 classes, 17 credit hours.

ECON 1103 001 Global Economics Issues 3.000 MWF 12:00 pm – 12:50 pm
Examines the global context in which the United States economy functions. Basic economic concepts are used to study economic growth, persistence of underdevelopment, differing economic systems, and the interdependence of nations in the world economy. Special topics that may be investigated include the debt crisis, protectionism, the role of multinational corporations, and the gap between rich and poor nations.

ENG 0826 002 Creative Acts 4.000 TR 3:20 pm – 5:00 pm
This course focuses on the art of writing, finding one’s voice, and writing for different genres. In a small classroom setting, you will work with the faculty member and other students to improve your writing through work-shopping. Other readings will allow you to develop your craft. By the end of the semester, you will produce a portfolio of your work.

ENG 2296 005 Creative Writing: Fiction 3.000 R 5:30 pm – 8:00 pm
Workshop in which students read and discuss one another’s material and develop skills as both writers and readers. Students may read selected contemporary American works of fiction, but the main texts will be those produced by members of the class. Beginning writers welcome, but thorough grounding in the conventions of grammar, spelling, and punctuation essential.

JRN 3710 001 Journalism Studies Special Topics 3.000 TR 12:30 pm – 1:50 pm
Subject matter varies each semester. Please consult the Course Guide.

JRN 4196 404 Philadelphianeighborhoods.com 4.000 M 1:00 pm – 4:20 pm
Philadelphianeighborhoods.com is the capstone course for the Department of Journalism in which students report about the neighborhoods of Philadelphia. Students will report stories on all forms of journalism: broadcast, photography, print and digital media.

To recap: 2 advanced journalism classes, 2 advanced writing classes and an economics class. I got an email from my Economics class, letting us know what the textbook required is and, “A solid background in Calculus is also essential.”  I don’t even know what calculus is. Great. Fuck.

I apologize in advance for all the people I will not see from August 29th to December 17th.

It’s not just the class time that is hectic, but I am expecting a ton of out of class work as well. I just need to suck it up for a few months. If I don’t, I would have all those extra classes. Fuck that.

All this has had me questioning: why am I even doing it? To be honest, if I wasn’t a semester away from graduating, I probably wouldn’t even do it. When I went back to school, I had a successful business. The economy hadn’t collapsed. The music and print industries hadn’t imploded. But now? Now? It’s all shit. I have some incredible business, publishing and writing experience and have tried to shop that around, with no response. Here is how bad it is. I contacted the editors of my local South Philadelphia weekly newspaper, the South Philly Review, about freelancing. George often inspires journalism on the local level. The first editor told me I could apply for an internship and maybe work my way up to a byline! I asked if she had even looked at my experience. She said no. Said to send her pitches, and then I moved to France. Upon my return I contacted them and was told I could intern and work my way up to a byline! I asked the same managing editor if she had looked at my experience, that I am a little past that, and was even open for me to pitch and I would even work for free. No response.

My point being, why am I in school? It’s not even as if the industry is in flux, it has fallen apart and there’s no clear way out. So I am going to come out of school owing tens of thousands of dollars, for what? Not once has any prospective company looked at my resume or work experience and said, “This is great, but do you have a degree?” It just sort of sucks and feels like I am floating on this path with no clear plan or feeling of knowing where I am going. On the one hand having a degree can’t hurt -other than my wallet- but I question if it will help at all too.

I have read a few interesting pieces seeming to back this up.
In The Atlantic:
An Anti-College Back

In the New York Times
Many With New College Degree Find the Job Market Humbling

Plan B: Skip College

Burden of College Loans on Graduates Grows

Sorry mom. Don’t worry, I am going to finish.

 

A special thank you to George, Ms. Fairfax and Jane Slotterback.

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Pulitzer Prize rule change

Pulitzer Prize

The Pulitzer Prize Board will now consider video and multimedia pieces.
This is big and definitely a good thing.

Pulitzer Prize Board announces changes for 2011 journalism competition
Media contact:
Sig Gissler, sg138@columbia.edu or 212-854-7327
Clare Oh, clare.oh@columbia.edu or 212-854-5479
New York, NY (Dec. 8, 2010) — The Pulitzer Prize Board today announced several changes to the journalism contest rules for 2011, spelling out the board’s interest in seeing entries in all the journalistic formats that news organizations use to generate impactful work.
The changes recognize the growing importance of visual storytelling using video and other multimedia formats and the board’s ongoing intention to honor the best journalism from eligible news organizations, regardless of format.
In the first change, the rules for 12 of the 14 categories now state explicitly that entries may use any available journalistic tool, including text reporting, videos, databases, multimedia or interactive presentations or any combination of those formats. The rules did not change for the two photography categories, which are restricted to still images.
In the 94 years since the prize was created, text — and particularly ink-on-newsprint — was the primary way newspapers delivered information. So the prizes have primarily gone to printed journalistic work.
As newspapers and other eligible news organizations increasingly use other methods to tell stories and reach readers, the Pulitzer Board has several times revised the rules so the contest evolves with the profession. For example, it has opened the doors beyond newspapers to online news organizations and opened all but the photography categories to work in multiple formats.
The change announced today places the emphasis on journalistic excellence across all formats and makes clear that submitting news organizations should enter work as their readers saw it — if multimedia and visual elements were primary pieces of the work as published, they should be primary pieces of the Pulitzer entries.
Prize administrators also are doing several things to ensure the visual and multimedia work is viewed equally by jurors evaluating entries. For example: Those jurors will be asked to bring their laptops to the judging in March so they can more easily view multimedia and visual elements as they were seen originally by readers.
A second rule was changed to help encourage the broadest possible entries — the number of individual names on a team entry was increased from three to five. The new language specifically says that the individuals named should be the strongest contributors to the work, “whether they are text reporters, photographers, videographers, graphic artists, producers or journalists who have worked in more than one format.”
If the work involves equal or near-equal contributions of more than five individuals, it should be submitted as an entry in the name of the submitting news organization.
A final change will make it easier for organizations to enter the two still photography categories. The board now requires that photographs be submitted electronically in the Breaking News and Feature photography categories, eliminating the requirement that organizations submit printed photos. Few eligible news organizations print photos on paper today; the images are chosen, edited, shared and often displayed digitally.
Eliminating the need for costly printing makes it easier for news organizations to enter the photo categories and is consistent with the practices of other major photo prizes.
“These changes help ensure that in the multimedia age, the Pulitzer Prizes will continue to recognize the very best journalism in all formats,” said Pulitzer Board Co-Chairs David M. Kennedy and Amanda Bennett.
Kennedy is the Donald J. McLachlan Professor of History Emeritus at Stanford University and Bennett is Executive Editor/Enterprise for Bloomberg News.
The deadline for journalism entries is Tuesday, Feb. 1, 2011.
Not that it makes my chances any better…
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What a cover letter from Hunter Thompson to the Vancouver Sun might look like:

October 1, 1958

57 Perry Street

New York City

Sir,

I got a hell of a kick reading the piece Time magazine did this week on The Sun. In addition to wishing you the best of luck, I’d also like to offer my services.

Since I haven’t seen a copy of the “new” Sun yet, I’ll have to make this a tentative offer. I stepped into a dung-hole the last time I took a job with a paper I didn’t know anything about (see enclosed clippings) and I’m not quite ready to go charging up another blind alley. By the time you get this letter, I’ll have gotten hold of some of the recent issues of The Sun. Unless it looks totally worthless, I’ll let my offer stand.

And don’t think that my arrogance is unintentional: it’s just that I’d rather offend you now than after I started working for you. I didn’t make myself clear to the last man I worked for until after I took the job. It was as if the Marquis de Sade had suddenly found himself working for Billy Graham. The man despised me, of course, and I had nothing but contempt for him and everything he stood for. If you asked him, he’d tell you that I’m “not very likable, (that I) hate people, (that I) just want to be left alone, and (that I) feel too superior to mingle with the average person.” (That’s a direct quote from a memo he sent to the publisher.) Nothing beats having good references.

Of course if you asked some of the other people I’ve worked for, you’d get a different set of answers. If you’re interested enough to answer this letter, I’ll be glad to furnish you with a list of references — including the lad I work for now.

The enclosed clippings should give you a rough idea of who I am. It’s a year old, however, and I’ve changed a bit since it was written. I’ve taken some writing courses from Columbia in my spare time, learned a hell of a lot about the newspaper business, and developed a healthy contempt for journalism as a profession. As far as I’m concerned, it’s a damned shame that a field as potentially dynamic and vital as journalism should be overrun with dullards, bums, and hacks, hag-ridden with myopia, apathy, and complacence, and generally stuck in a bog of stagnant mediocrity. If this is what you’re trying to get The Sun away from, then I think I’d like to work for you.

Most of my experience has been in sports writing, but I can write everything from warmongering propaganda to learned book reviews. I can work 25 hours a day if necessary, live on any reasonable salary, and don’t give a black damn for job security, office politics, or adverse public relations. I would rather be on the dole than work for a paper I was ashamed of.

It’s a long way from here to British Columbia, but I think I’d enjoy the trip. If you think you can use me, drop me a line. If not, good luck anyway.

Sincerely,

Hunter S. Thompson

Priceless.

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